Category Archives: New Releases

Adam-Troy Castro visits Pangaea and gets his toe Stuck


By Adam-Troy Castro

517dBviDsyLSometimes, the story sticks its toe in the dirt and tells you it’s not going to go where you want it to go. Most often, the story is right. It knows better than you do. Listen to it. It’s telling you this for your own good. It knows itself better than you do.

Now the backstory. Pay attention.

My original assault on the story that became known as “A Dearth Of Dragons” dropped dead at 2000 words and went moribund on me. If you had asked me on Monday whether it would ever be finished, I would have said no. But the deadline was knocking on my door and on Tuesday I elected to give it another shot. The story remained moribund. Again, it didn’t look like it was going to happen. I was about to throw up my hands, even if that would have cheated a fan who had pledged a hundred dollars to have his name applied to one of the characters.

This is the problem: in my original take on the story, my protagonist, a teenage girl with a yen for storytelling, runs from the escaped convicts. Her boyfriend Partyka is killed. She is knocked out, and winds up adrift in a rowboat without oars, victim of a current leading her out to sea. She is doomed. As thirst and exposure drive her into extremes of delirium, she imagines the distant undiscovered lands of her fantasies, and ultimately dies thinking she sees a new continent on the horizon — a continent we already know, from the anthology’s very premise, must be a hallucination.

This story refused to be written. It kept grinding to a fault at the point where she met the convicts.

Then it suddenly occurred to me that the tragedy I had outlined was the problem; I simply had no faith in it. It was an exercise in futility that would take thousands of words to clumsily steer in a direction that would get less and less interesting the nearer I approached a downbeat conclusion. What ELSE could happen? What if her storytelling ability was not the inadequate comfort of a young girl drifting toward death, but the strength that would enable her to defeat the evil that faced her?

Wow.

After that, the tale flowed out at 3000 words a day.

Only in the first act does it resemble the story it started out to be. Then better stuff happens.

This is always a surprise to the writer; a welcome surprise.

I’ve always written formidable women. This one wanted to live.

Pangaea is now available in digital and print editions.

Kelly Meding Surveys the Old West Pangaea-style


By Kelly Meding

517dBviDsyLPangaea was my second opportunity working with the folks at Crazy 8 Press, and my first participation in a Kickstarter (and boy did it feel great to see both of those Tuckerizations go!). The opportunity came via the incomparable Bob Greenberger, and I was thrilled by the chance to work with Mike Friedman, whose books I’ve admired for a long time.

The concept of Pangaea intrigued me, as did the huge differences in the various states and land regions. And as I read through the story bible (several times), I kept coming back to the plains state of Promiza. I loved how it was described as a like “the American frontier.” The more I thought about it, the more I wanted to write about that location.

My pitch was basically an homage to the Old West and the “a stranger comes to town” trope, except to turn it on its head a little bit with a strong female lead. The people of Promiza are proud, independent, and they rally together in times of need—and Arista’s people need change.

They are farmers and harvesters and factory workers, living in a rough plains territory that is buffered by high winds and under constant threat of tornadoes and storms. Their towns had to reflect these harsh conditions, so their people must live low to the ground. With a nod to Tatooine, these cities are built mostly underground, with wide open patio areas for socializing, and low-crawling public transportation with wheels reminiscent of Army tanks.

I had great fun writing my tale of the Old West set on this intriguing new Supercontinent. Thanks for the opportunity.

Pangaea is now available in digital and print editions.

Michael A. Bustein Talks Writing The World Together

By Michael A. Burstein

517dBviDsyLWhen Michael Jan Friedman asked me if I would contribute a story to Pangaea, I was delighted. I have never been part of a shared world anthology before, and this seemed like a good opportunity to try my hand at it. I’ve also been a big fan of Michael’s for many years now, very much enjoying his Star Trek tie-in novels, his comic stories, and his original work.

Michael sent me a copy of the Pangaea “bible,” which is the document that describes what the shared world is like. I read through it, searching for a hook that would tie into my own interests.

I was particularly intrigued by his description of a land called Wymerin and chose to set my story there:

“These people are like the Amish in that they remain as isolated as they can from the rest of the world, adhering to what outsiders think are antiquated values. They embrace technology only to the extent that they must in order to compete, seeing machines as a necessary evil.”

As I wrote my story, I found it a difficult process. Michael helped me by advising me that I could make up my own details about the Wymerin society and culture. He would edit my story accordingly to make sure it fit into his general view of the world. Thus was my creativity freed, and I was able to tell my story.

I remember that Peter David told about the time he wrote a line in a Hulk comic establishing that the hero Doc Samson was Jewish. His editor called him up and asked him if this had been established before. Peter replied that they were establishing it now. To which the editor said, “We can do that?”

I had forgotten that Michael would be there with his net to catch me if I fell too far out of his vision for Pangaea. Which he did. I’d like to thank him for that, and for bringing me to Pangaea in the first place.

I also want to thank two former students of mine, Betsy Cole and Deborah Sacks, whose support of Pangaea was rewarded by my naming the characters in “The World Together” for them.

Pangaea is now available in digital and print editions.

One Continent … and the Hearts of Murder

517dBviDsyLWhen we at Crazy 8 Press decided to embark on Pangaea, the brainchild of our very own Michael Jan Friedman, I wasn’t sure which way I wanted to go with my contribution. The anthology is based on one big idea — what if there was just one super continent — and big ideas typically lead to big stories.

So I went in the opposite direction.

My tale, “The Kites of Alogornae”, is small. It is, for the most part, a two-character play, consisting of two men forced together by circumstance, crossing the great continent, with a particular mission in mind.

In theory these traveling companions are on the same side, but in reality … well … it’s fair to say that at least one of them, if not both, have murder in their hearts.

Will there be deaths in this tale? I won’t say. But I can tell you that my inspiration came from the thoughts of trekking a long way on foot, during the days of continental discourse, and the roles that two otherwise unknown men might play during this divide.

Pangaea is its own world, and in this world, relationships are forged whether the characters want them to be or not.

Let’s see how this one plays out.

Pangaea is now available in digital and print editions.

Dayton Ward & Kevin Dilmore are on “The Ardent” in Pangaea

 

By Dayton Ward and Kevin Dilmore

517dBviDsyLIt’s entirely possible that we did this all wrong.

When Mike Friedman first told us about the Pangaea concept, there were a myriad of things that could have grabbed our attention. Stories set within societies of humans that developed on a theoretical supercontinent never separated by geodynamic processes? Okay, we’re listening. Characters of humans descended from Neanderthal as well as Cro-Magnon ancestors who live contemporarily? Yep, still got us. Plot lines driven in a culture shaped by technology roughly equivalent to that on 1980s Earth?

Okay, we’re totally in.

Mike asked us to create our story as a link between his, which begins the anthology, and Peter David’s, which concludes it. Since the baton we needed to pass was a clue in a criminal investigation, we knew it had to be a buddy-cop story evoking our favorite such tales from the ’80s. Most especially, we took a new look at Alien Nation, the single-season TV series inspired by the feature film of the same name. The relationship between that show’s main characters, human police detective Matthew Sikes and his Tenctonese partner, George Francisco, provided more than a bit of inspiration for the “odd couple” pairing of our buddy cop characters. Our guys work together despite their disparate backgrounds, navigating the various culture clashes between Pangaea’s Sachi and Fojoa sects, and it’s this relationship that’s at the heart of our tale.

When it came time to tell our story, we might have deviated from the norm just a little bit. Rather than present our tale from a narrative perspective that spent time detailing the world of Aristaya for a reader from our world, we leapt right into a view through the eyes of Ames, a Sachi and veteran Homicide detec—er, Peacekeeper partnered with the only Fojoa Peacekeeper on the force. Ames’ views on his partner, his assignment and his world would read as his—not ours—with the goal of creating a story that might have been written by authors from Pangaea for readers from Pangaea, complete with the slang of the dark alleys of the district. We had fun telling our story; we hope you have fun reading it, too.

See you on the streets, pal.

Pangaea is now available in digital and print editions.

The Seeker and the Sword Returns to Print in November

CAIOC_VIDARThe Seekers and The Sword.
It’s the second book in the Vidar Saga trilogy that I wrote back in the eighties, a sequel to The Hammer and The Horn. And by Thanksgiving, it’ll be back in print.
I can’t tell you how many people have asked me about it. Not only here and at cons but in my dreams, people come up to me and want to know about The Seekers and The Sword. People like Patrick Stewart and Whitey Ford and Albert Einstein because, you know, they’re dreams, and even more to the point they’re MY dreams.
So please, be patient. Pretty soon you’ll have a chance to get The Seekers and The Sword, both in print and in DRM-free e-book formats. In the meantime, feast your eyes on this wonderful cover by Brazilian phenom Caio Cacau. If The Seekers and The Sword is half as good as this cover, it’ll be well worth the wait.