As an author, when you start out with an idea, you think that writing the novel is the hard part. But then you do it, you have your novel, and then … it’s time to sell. To market.

When I first started talking to people about Finders Keepers, my ‘elevator pitch’, such that it was, lasted about half an hour. Okay, maybe not a half hour, but it took me so long to explain what it was about that I exhausted myself.

Why? Because I was trying to tell it all. And that never works.

For those of you who have read it, and for those who haven’t, Finders Keepers is a raunchy scifi backpacking comedy with a lot characters, told from various points of view, wherein various story lines slowly but surely come together into a pretty crazy–and satisfying–conclusion.

So there I was, fumbling my way through the description, until it became clear that I really had to figure this out.

In total I probably spent the better part of three months scripting, and revising, and re-writing myself until finally I could recite the essence of the novel that both hooks a potential reader, and stays true to the content.

Here’s how I talk about it now:

Finders Keepers is loosely based on a series of backpacking trips that I took through Europe and New Zealand, set against the quest for a jar that contains the Universe’s DNA. It’s like American Pie/Superbad meets Hitchhiker’s Guide to the Galaxy.

Those two sentences have helped me connect with a lot of new readers, and sell a whole bunch of books.

Just two sentences.

But coming up with those two sentences? It took a ton of work, and an endeavor I’m proud of.

Is it my personal best?

Not sure.

But I’ll take it.

For the first time in almost three decades, Michael Jan Friedman’s debut novel, The Hammer and The Horn, is available in paperback. Adorned with a heroic Caio Cacau cover, this handsome new edition from Crazy 8 Press introduces new readers to the immortal Vidar — a bastard son of Odin and one of the few Aesir to survive Ragnarok, the apocalyptic Twilight of the Norse Gods.

In the months to come, Crazy 8 Press will release the second and third parts of the Vidar Saga. Watch this space for details, Crazy Ones!

I learned a great many lessons from Dick Giordano when he was my boss at DC Comics. Perhaps the most invaluable one was that freelancers will always over-estimate the amount of work they can get done in a given time. On their best day ever, an artist will have drawn four pages. From them on, when opportunities arose, they would gauge their ability to fit in the work based on that never-to-be-repeated output. That way always led to danger.

Freelancers forget it was a one-time occasion, much as they never factor in holidays, conventions, illness, family obligations and the unexpected. When I made up the schedules at DC and Marvel I always factored in fudge time, revision time, and the like so people then would see a script due six or more months before publication and scoff. I cannot tell you how many times disaster would have been averted had people actual met my dates and not the ones in their head.

Personally, I think my best may have been a 6000 word day where I was adapting a script and things were flowing really well. However, I know myself and recognize I am good for 3000 word bursts. When taking on assignments, I tend towards being realistic so if an 80,000 word novel is offered me and I divide it by 3000 words, that means I need just under 30 days to write the book, but that’s once there’s a plot, a chapter outline, research, rewriting, etc. And I never have 30 consecutive days so that should be at least doubled if not tripled, meaning three months minimum.

Quite often, publishers want a book within six to twelve ACmonths so if I need three months and they offer me six, everyone should be happy. It’s when you need three months and the publisher is asking for it in two or less, you have to take time to assess if you really can push yourself this once. I know I can do more than 3000 words at a shot if pushed, if everything is working. I can’t do it consistently and I suspect the finished product will be rougher than I am happy with but it also means the deadline is met and there might be time for more polishing during copy editing.

Of course, here at Crazy 8 Press, we set our own schedules. Most of us have a good sense of how much we can write and take slots accordingly. Rarely do we need to meet a specific deadline but when that happens we make deliberate plans. As a matter of fact, we’re all at work on stories for an anthology debuting at Shore Leave in August as we celebrate our third anniversary. More on that later, but for now take comfort in knowing we’re all striving to deliver our personal bests.

In an effort to keep everyone better apprised as to our whereabouts, let’s take a moment and see what the Crazy 8 staff has on tap in March.

Next week, on March 8, Peter David will be conducting a daylong online Master Seminar on Writing Great Characters. This is part of a series hosted by former Marvel and IDW editor Andy Schmidt and well worth your time and attention. As it says on the website, “Join Peter for an in-depth look at getting to the core of the character, creating interactions and conflicts between characters, how to put your characters in the driver’s seat and let them guide you, and of course, scripting techniques to bring the heart of your character onto the final printed page.”

Over the weekend of March 21-22, I’ll be speaking on the campus of Franklin and Marshall College at Diplocon. It’s a small but growing show, with an emphasis on gaming and Anime but bringing me down means they’re ready for some comic book and science fiction love.