Lorraine Anderson Talks About Pets Found on Native Lands

By Lorraine Anderson

Lorraine April 2013I may have been scarred for life by Disney’s The Shaggy Dog.

I was around six or seven, and saw Fred McMurray’s version of The Shaggy Dog in a re-release at the local theater.  Scared the bejeezus out of me.  I had nightmares that night.  Why?  I’m still not sure.  So, naturally, I became fascinated with literature in which humans are transmuted into something else.

“Animal Instinct” came out of that fascination.  I remembered the old Greek myths, especially the one about “Io,” in which a nymph was transformed by Zeus into a heifer to hide her from Hera.  I knew the Greek myths had many of these kinds of myths, but did the Native Americans?

Like many Michiganians, I’m descended from mostly German settlers, with possibly some English or Scottish thrown in.  So I have to admit that I didn’t know much about Native American myths, particularly any of those about my native Michigan, and looking on the internet didn’t help me a whole lot.  Possibly I was looking in the wrong spot, but an investigation of the myths of Michigan’s Pottawatomie led me to the local casinos, which really didn’t have anything about Native American myths.

I did find out that most of the stories were passed along orally, and many stories were common among all of the various tribes.  So maybe I didn’t have to limit myself to Michigan’s Native Americans.  I looked a little farther, trying to stay away from the Trickster tales, such as Coyote or Rabbit.

My research led me to an odd little book called Stories told in the Wigwam by Gower Glynn, published in 1911.  In spite of the age, the stories seemed to treat the oral stories with dignity, and some of them were based in the Midwest.  I found that many of the Spirits gave gifts to men, including one who gave maidens berries or seeds in order to transform unwanted lovers into animals or plants.

Bingo.

“Animal Instinct” is about one of those unwanted lovers:  not a bad man, but someone who is a bit thoughtless about the quality and the quantity of his paramours and discovers a few things about himself.

ReDeus: Native Lands will be available in print and digital editions in August.

Counting Down to our Second Anniversary Part 3

2ndBirthdayC8Anniversaries are a terrific time to sit back and reflect. It forces you to slow down and assess what has been accomplished, what worked, what needs attention and gauging your overall satisfaction.

When we launched Crazy 8 Press in the summer of 2011, none of us really knew what to expect. In some ways we envied the established Book View Café and wanted to immediately achieve their success, but as we are doing now, they built it title by title, author by author. So, we’re doing that, releasing 6-8 titles a year.

The challenge then and remains today is getting the word out. Press releases, blog posts, interviews, it’s a slog and a slow process. The founders all brought their followings with them, but there is significant overlap so the hope was that we’d start with this core and grow outward. In some cases that’s happening. We got a tremendous bump in attention in the worst way possible. When Peter David has his stroke, the year began with people flocking to our site to buy his books to support his incredible medical expenses. It brought our site to peoples’ attention which we hope will mean they come back periodically to see what’s new.

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Since we launched there have been successes such as Peter rescuing The Hidden Earth series from Tor’s indifference and Mike Friedman’s forthcoming new editions of his earlier books, also retrieved from a traditional publisher. We succeeded with the well-reviewed ReDeus series of books while our Latchkeys series met with silence. The lesson learned from the latter has everything to do with outreach than content. Those who read the digital stories or print omnibus were delighted there are just too few because the target audience are young adults, many of whom do not yet have online purchasing privileges.
There’s much to be proud of starting with the fact that we’re still talking to one another after two years. After all, going into business with friends comes with certain risks but we’re putting friendship first which I think helps tremendously. We still believe in sticking together and helping one another find audiences and bring our stories to life.But we’re also growing. We’ve welcomed Russ Colchamiro and Paul Kupperberg this year, expanding the sorts of books we’re releasing. We’ll be releasing a book on behalf of an editor who needed a home and that’s exciting. We all have new projects in the works and Mike has made it his goal to crack the library markets.

Summing up, we’ve learned a lot and remain optimistic about the future and that’s cause for celebration.

Crossline is Feeling the Love

Crossline coverWhen Crossline debuted this spring, i had no idea the kind of reception it would receive. So far, I have been humbled by the great reviews it has garnered, Over at Goodreads, one recently wrote a detailed analysis which I just had to share with everyone:

I have to admit that I was pleasantly surprised by Crossline. It’s an adventurous tale of space ships and dimensional travel…of warring cultures and dopplegangers…of spirituality and technology…of the breadth of time and the power of the moment. I entered into this book expecting another comedic and trippy tale from Russ Colchamiro. What I got was much, much more.

I’m a big fan of Russ’s first book, Finders Keepers, especially the wild mix of comedy and science fiction that reminded me (fondly) of Douglas Adams and Christopher Moore. Finders Keepers was very funny with just the right amount of wacky WTF? moments that I couldn’t put it down. Specifically, Russ is excellent at describing the sensory overload found in a severe hallucinogenic trip, and that excellence is found again in Crossline, though this time he uses it to describe the buffet of sensory input found in warping through the solar system. Those moments come alive easily, and when combined with his ease at writing comedic dialogue, the narrative in Crossline comes alive.

In the hopes of keeping this review spoiler free, I will simply state that Crossline is – at its heart – the story of two men and what they will do for their families set in two different versions of Earth. That story is wrapped up in a multiple plots and conflicts and supporting characters, but that’s the story that stuck with me the most. It’s a very real question that is even more poignant to me as Father’s Day approaches. What will a father do for his family? How far – how low? – will a man go to protect and love his own? Russ answers this in similar yet different manners through his two main characters, and those answers are powerful even when delivered in a comedic sci-fi wrapper.

That’s a fairly heady concept, and I don’t mean to imply that Crossline is a deep and brooding book. It’s quite the opposite. It’s funny and fast paced and takes chances when you least expect it. As with Finders Keepers, it provided me with some honest laugh out loud moments (fellatio vs. rodeo…that’s all I have to say). However, more so than Finders Keepers, it poses a question answered by the two main characters that carries some depth and weight that I enjoyed.

I also want to comment on the characters found in Crossline. Russ has created a group of memorable characters to populate both Aretha and Earth. I have to admit that I enjoyed those from Aretha more (Dolores and Chill being my favorites) though I think this has more to do with their comedic relief when I needed it most. Regardless, the characters all have unique voices, personalities, and clear motivations. They live and breath and – yes – die in ways that will both entertain and move the reader.

I really enjoyed Crossline. It made me think and laugh, which is all that I can ask for from an author. I highly recommend it, and would love to hear what others think of it as well…especially if you’ve read Russ’s first book.

ReDeus’ Third Volume Explores Native Lands

ReDeusLogoWhen the gods came back in 2012 and demanded everyone return to their ancestral homeland and worship as their forefathers did, they probably expected a mass exodus from the United States of America.

Of course, you don’t displace nearly 315 million people overnight. You also take into account that the world economy depends on the USA for services and goods that can’t easily be replaced or replicated elsewhere. Over time, accommodations have to be made; effectively cutting deals with the myriad Native America gods of North America.

This creates many fabulous storytelling possibilities for the gods and mortals alike and that is what we set out to explore in ReDeus: Native Lands, our third volume of stories. The book will debut at Shore Leave in August, a part of Crazy 8 Press’ second anniversary party.

Earlier this year, we released Beyond Borders, a chance to explore what was happening away from North America and we witnessed overcrowding in some places, despair in others. These first two decades after The Return have taken a toll, not just on the global economy, which was no great shakes to begin with, but also on man’s spirit.

For the new volume, we will have a chance to visit Americas coast to coast, meeting familiar gods such as Coyote and many you’ve never heard of since their mythology is not readily studied in American schools. We’ll be meeting characters from the first two volumes and introducing you to many more.

Similarly, for this book we will welcome back Lorraine Anderson, Steven Lyons, Scott Pearson, Steven H. Wilson, David McDonald, William Leisner, David Galanter, Allyn Gibson, and, Lawrence M. Schoen.

And we will say hello to friends making their ReDeus debut with this book including Robert T. Jeschonek, Australian author Lois Spangler, and our Star Trek pals Kevin Dilmore and David R. George III.

Co-creators and co-editors Aaron Rosenberg, Paul Kupperberg, and I will also be on hand with new stories.

We’re once more really proud of how our friend shave stepped up and helped us explore this new world. We’re delighted with the results and hope you will enjoy the journey across the highways and byways of a transformed landscape.

Counting Down to our 2nd Anniversary Part 2

Trying Something New

2ndBirthdayC8“Write something different.” That was the challenge a friend and fellow writer gave me a few years ago. I’d been telling her how I was between contracts at the time—I’d been doing a lot of tie-in books, and a lot of children’s books—and how I had the itch to start something new but didn’t know what. I had a whole file full of story ideas, but how to choose? “Go with something different, challenge yourself,” she suggested.

Which made me bypass all the fantasies and mysteries and dark fantasies and thrillers—the sort of thing I’d been writing—and pull out a one-liner about a wacky duck-headed man instead.

And so No Small Bills was born.

I had an absolute blast writing about the silly, crazy, off-the-wall adventures of DuckBob Spinowitz and his pals on

their out-of-control cosmic road trip to save the universe. This was a side of myself that had never emerged onto the page before, and letting it loose was incredibly freeing—and a whole lot of fun.

Everyone who read the drafts thought so, too. Including editors. There was just one problem:

“Comedy doesn’t sell,” I was told time and again. “We can’t buy it. It’s great, but we just can’t.”

No one was willing to take a chance on a science fiction comedy.

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Well, that isn’t entirely fair. Crossroad Press, which had published my space opera The Birth of the Dread Remora and for whom I’d co-created the O.C.L.T. occult thriller series, probably would have. But Crossroad dealt in horror, dark fantasy, urban fantasy, mystery, thriller, some science fiction, even epic fantasy from time to time.

Not comedy.

That was well outside their comfort zone, and while I appreciated their willingness to try it for me, I wasn’t sure that would be doing either of us any good.

Which left me with a really good book, one I was sure people would enjoy reading—and no one to publish it.

Until Mike started talking about “we can do this ourselves.” And Bob added, “yes, we can!” And Peter and Glenn said, “absolutely!”

Too Small coverAnd I figured, “sure, why not?”

Why not publish it myself? I had the know-how—years as a roleplaying publisher, time working with small presses, and years working for a big publishing house. Experience as an editor,  a graphic designer, and a book production person. I didn’t know the epub field very well, but Glenn did and he offered to guide me through that part. And I had Bob and Mike and Peter to offer support and feedback and their voices when it came time to tell people the book was available.

No Small Bills was Crazy 8’s second release. In its first week on the NOOK it placed only two steps behind a slender little volume called A Dance with Dragons.

Seems comedy could sell, after all.

Now here we are, approaching Crazy 8’s second anniversary. And DuckBob is still going strong. After No Small Bills came Too Small for Tall, and later this year the crew will return for their third novel, Three Small Coinkydinks. I’m really happy with the way the first two DuckBob books turned out, and that’s largely because I’ve had total control of them every step of the way. Which is one of the great things about Crazy 8 Press. Since we aren’t a big publishing house, we don’t have layers between the author and his work any more than we do between the author and his readers. Each author has full authority over his own books, how they look, how they read, how they’re released. Our readers are getting the true, unadulterated experience. Our books, the way we intended them.

And that’s definitely something new—and something that apparently sells every bit as well as a silly SF comedy about a duckheaded man and his friends.

Counting Down to our 2nd Anniversary Part I

2ndBirthdayC8Three years ago, at Shore Leave, my frustration with the changes in traditional publishing finally amounted to something.

Great stories were lying around untold because publishers, pressured by an increasingly treacherous marketplace, were hewing more and more to the “sure” thing, refusing to take a chance anymore on anything even slightly outside the box. At the same time, advances in internet tech were making it possible for writers to publish their own books. For the first time, we could reach the reader without a middle man if we were clever enough. I had been obsessed with the possibilities for some time, and couldn’t stop preaching them to anyone I could buttonhole. Finally Bob Greenberger, who was probably just tired of my chewing his ear off, convened a gaggle of writers on the convention floor. “All right,” he said, “we’re listening.”

And that was the beginning of Crazy 8 Press.

In July of 2011, we launched with our first book, Peter David’s wry and witty The Camelot Papers. A month later, Aaron Rosenberg debuted No Small Bills, the first entry in his quack-a-minute DuckBob Spinowitz series. I followed in November with Fight The Gods, a roller coaster of a contemporary fantasy anchored in Greek mythology.

Two years later, Crazy 8 Press is putting out books like we’ve been doing it forever. Books I’m really proud of, from the quality of the stories inside to the quality of the paper they’re printed on. Like Peter’s Pulling Up Stakes. Like the popular ReDeus anthologies. Like Bob’s novella, A Matter of Faith. And next month I’ll be re-releasing the first books I ever wrote, a trilogy steeped in Norse mythology called The Vidar Saga.

How long can we keep all the balls in the air? Well, take that 8 in our logo and turn it on its side. That long.

Providing, of course, that we continue to get the kind of support we’ve gotten from our readers. Because we’re in this together, you know. When great stories get told, it’s not just us writers who benefit. It’s you. And with you in mind, we go forward.

Crazy Good Stories