Category Archives: DuckBob

The DuckBob Q & A with Aaron Rosenberg!

Aaron Rosenberg — a best-selling author and founding member of Crazy 8 Press — is back again with his latest scifi comedy novel in the Duckbob Spinowitz Adventures, Not for Small Minds.

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Q: For those not familiar with your Duckbob character… um… how exactly is it that he’s a… well… a duck… man? Who happens to be the key to saving the Universe? (Full disclosure, milk shot through my nose as I typed those words)

A: Right, so the short version—Bob Spinowitz is a regular guy who got abducted by aliens (the “Grays,” the ones you see in all those movies and TV shows and documentaries) and they altered him into this man-duck hybrid. Then dumped him by the side of the road and left him to pick up his life from there. He changed his name to “DuckBob” because he figured people would call him that anyway so why not defang them a bit by beating them to the punch?

Q: Sure, sure. So… Not for Small Minds is the fourth and — so far as you’ve said — the last novel in your DuckBob scifi comedy series. How does it feel to be at the end?

A: Both good and sad. I really like writing DuckBob, he’s a great character with a great voice, so I’m a little sorry there won’t be more novels. At the same time, I’ve always told myself I wouldn’t be one of those people who wrote twenty-seven books in a series that really should have been only three. There’s a natural rhythm to these things, some stories are meant to go on and others are meant to end. I feel like I’ve finished DuckBob’s big story here and I’m happy with the results. To write another novel would feel like I was dragging things out, and I’d worry that I was diminishing him and his voice by stretching it past what was intended.

Q: The first three books in the series — No Small Bills, Too Small for Tall, and Three Small Coinkydinks — focused on Duckbob, Tall, and then Ned. Not for Small Minds puts Mary front and center. What was your biggest challenge — and your goal — for giving Mary center stage?

A: The biggest challenge was that I really wanted this to be Mary’s book, not DuckBob’s. But he’s the narrator, and he has a very . . . strong personality. Which meant I had to be very careful to let Mary, who tends to be more soft-spoken, shine on her own even though it’s all through his words. I also had to be careful because DuckBob absolutely adores Mary—as he should—but that means he sees her as this perfect being. Since this is Mary’s story, I needed to make sure her flaws were visible as well, so that we’d be able to relate to her properly and not see her as some idealized figure.

Q: Beyond the obvious — Duckbob and team rush to save the Universe again — what’s the gist of Not for Small Minds?

A: Mary invites DuckBob to accompany her to her college reunion. He jumps at the chance to see something of her past, but is a bit dismayed when he does. Then they’re summoned by the Grays to deal with the invaders from another reality once again—only this time it’s the Grays themselves who are under attack! Mary and DuckBob have to figure out how to rescue the Grays and deal with the invaders once and for all, but it’s going to take more than just them and Tall and Ned to accomplish that. They need a lot of help, which they get from the unlikeliest places, and that creates problems of its own.

Q: Scifi comedy — as a subgenre — seems to go in and out of favor in the public consciousness. What attracts you to this type of story?

A: You know, I love SF comedy. I have since I was a kid. I remember reading Ron Goulart’s Calling Dr. Patchwork and Harry Harrison’s The Stainless Steel Rat and loving them. Then of course there was The Hitchhiker’s Guide to the Galaxy, which just took things to a whole new level. Science fiction is one of those genres like fantasy that can blend with almost any other genre and can range in tone from incredibly serious to ridiculously silly but I tend to prefer the silly—I think being able to explore new worlds and other races and technologies so advanced they seem like magic just lends itself to the absurd, which in turn allows you to highlight human nature and values like love and loyalty and friendship and how those can endure in even the wildest circumstances.

Q: In addition to the novels, you’ve also written a handful of Duckbob short stories, which, I’m here to say, are hilarious! Any chance we’ll see more Duckbob in the future? (please please please!)

A: Ha, yes, we’ll definitely see DuckBob again in short stories! I’m pretty sure he won’t let me shut him up permanently! He’s actually really well suited to the short story length, and that allows me to tell fun one-offs about him and his friends without having to worry about tying them into a bigger story. Eventually, if there are enough of them, I may collect all the stories into a DuckBob anthology, but we’ll see.

Q: Thanks Aaron! Where can new and returning fans find Not for Small Minds — and the entire Duckbob series?

A: My pleasure! You can find all the DuckBob Spinowitz Adventures here on the Crazy 8 Press site. They’re also available through Amazon and Barnes & Noble .

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Aaron Rosenberg is the author of the best-selling DuckBob SF comedy series, the Dread Remora space-opera series, the Relicant epic fantasy series with Steve Savile, and the O.C.L.T. occult thriller series with David Niall Wilson. Aaron’s tie-in work contains novels for Star Trek, Warhammer, World of WarCraft, Stargate: Atlantis, Shadowrun, Eureka, and more. He has written children’s books (including the original series STEM Squad and Pete and Penny’s Pizza Puzzles, the award-winning Bandslam: The Junior Novel, and the #1 best-selling 42: The Jackie Robinson Story), educational books on a variety of topics, and over seventy roleplaying games (such as the original games Asylum, Spookshow, and Chosen, work for White Wolf, Wizards of the Coast, Fantasy Flight, Pinnacle, and many others, and both the Origins Award-winning Gamemastering Secrets and the Gold ENnie-winning Lure of the Lich Lord). He is the co-creator of the ReDeus series, and a founding member of Crazy 8 Press. Aaron lives in New York with his family. You can follow him online at gryphonrose.com, on Facebook at facebook.com/gryphonrose, and on Twitter @gryphonrose.

Love, Murder & Mayhem: Read it Now: DuckBob: Killer Service

“DuckBob: Killer Service” by Aaron Rosenberg is the wackiest (and final) tale of the bunch, wherein good ole DuckBob Spinowitz and his sexy gal pal Mary find their lives in peril thanks to a miscommunication between DuckBob and the funky new gadget he bought for home his home entertainment unit. Who knew that a mail-order gift to self could be so deadly?

To find out how—or if—DuckBob gets out of this one, here’s an early look:

DuckBob: Killer Service

By Aaron Rosenberg

“DuckBob—get down, my love!” Mary shouts as she hurdles the couch in an amazing display of beauty and grace—yes, I stop to admire her form, even in the midst of all this chaos—and dives behind it. The couch, ever helpful, rises and solidifies into a small shield wall to protect her.

It always did like her more.

For my part, I duck—yeah, ha ha, never heard that one before, only been ten years since the little gray aliens most people just call Grays abducted and altered me, you think in all that time no one’s ever made a “quack” at me before?—as something small, flat, circular, and silvery goes whizzing past right where my neck had been.

“Hey!” I shout, straightening back up and glaring at the room in general. “Was that my Rockford Files soundtrack? Do you have any idea how hard it is to come by one of those? That took me weeks of searching, and an entire hour of listening to the vendor’s sob story about the death of vinyl!”

A second CD shoots toward me—The Best of Johnny Mathis,

I think, so I’m a little less upset about that one—and I quickly dive to the ground, thrusting my arms out in push-up position to keep from slamming my bill against the floor. See, Tall, I do work out when given the right motivation! A whole bunch more silvery discs follow, racing overhead to imbed themselves in the couch, the wall, and anything else in their path.

Why oh why did I ever think it would be so awesomely cool to buy the seventy-six-disc changer?

“Knock it off, Iris!” I bellow from my forced-exercise pose.

“That is what I am endeavoring to accomplish,” her perfectly modulated voice replies from all around me. Which was always creepy to begin with, and is twice as bad now that she’s literally trying to kill me.

You just can’t find good help these days.

It all started the day before. And, as usual, I didn’t really have anyone to blame but myself.

“Check this out!” I told Mary as I returned to bed holding the mail—a handful of bills (it’s amazing that you can literally go to the ends of the universe—or its center, anyway, since the Matrix is here at the Galactic Core—and deliberately not leave a forwarding address but somehow they always find you. Especially medical bills—I’m convinced that most physicians’ assistants should really moonlight as bounty hunters, if they aren’t already. Nobody would escape them! Especially if they’ve ever gone in for elective surgery), a bunch of ads, two fast-food menus (one for Langnock’s Sweet and Sour Stir-fried Mineral Balls, which I order from sometimes as much so I can giggle over the name as because I love the food), a letter from the local Galactic Neighborhood Association (which always has at least one reference to “that glittering pink monstrosity in our midst.” Hey, what can I say, I live in a show home.)—and a small box from Tek R Us, delivered by the UPS (Universal Postal Service, what else?). I dropped all the rest at the foot of the bed and clambered back onto the mattress cradling the box like it held my child.

Which, in a way, I guess I did.

To read the rest of “DuckBob: Killer Service” click here.

Love, Murder & Mayhem – It’s Always Good to Duck

 

When Russ had the idea for our new Crazy 8 Press anthology, of course I was in. Who wouldn’t want to write a science fiction story about Love, Murder & Mayhem? The only problem was, I had to figure out what exactly I was going to write!

The most obvious answer was to do a straight-up noir, a dark, moody murder mystery with a heavy romantic element. But I knew plenty of others would have that genre covered. I also thought about writing a more modern mystery, more action-adventure with a touch of thriller, but again I knew there would be several of those. “What can I offer this anthology that nobody else can?” I wondered. And the reply was: DuckBob!

That made perfect sense. DuckBob Spinowitz is, after all, my favorite character to write (three novels, two short stories, and counting). He’s a ton of fun, and he is pretty much Mayhem personified, so I had that angle covered already. Plus DuckBob is very happily involved with the brilliant and lovely Mary, which took care of the Love aspect.

The only problem, then, was that pesky third leg of the tripod: Murder.

Which actually was a bit of an issue, because while DuckBob can get dangerously PG-13 at times in terms of sexual suggestion (Whoa Nelly—I know, right? It’s enough to make you blush!) he tends to be very PG in regards to violence (he is definitely a lover, not a fighter). He doesn’t mind bopping somebody on the head, or firing a ray gun in the air to get the crowd to quiet down. But he’s rarely set out to seriously hurt anyone. Murder? That’s out.

So I had to really think about that. How was I going to tell a DuckBob story that involved some sort of murder while staying true to the lighthearted, wacky fun that is his trademark?

My first thought was to go all “roleplay” on him—have him and Mary dressing up and playing “Detective” and “Femme Fatale,” complete with “murder victim.” That way I could have my cake and eat it, too—tell a moody noir murder mystery, DuckBob-style. But when I sat down to write the story it turned out DuckBob had other ideas, as he usually does. I’ve learned to trust his storytelling instincts (and his eye for good, cheap food), so I let him run with it. I’m very happy with the result. I hope you are too.

Love, Murder & Mayhem is now available for sale both in print and ebook formats.

Aaron Rosenberg is a Crazy 8 Press founding member and author of the best-selling DuckBob SF comedy series, the Dread Remora space-opera series, and, with David Niall Wilson, the O.C.L.T. occult thriller series. His tie-in work contains novels for Star TrekWarhammerWorld of WarCraftStargate: AtlantisShadowrunExalted, and Eureka. He has written short stories (such as the Sidewise-nominated “Let No Man Put Asunder”), children’s books (including the award-winning Bandslam: The Junior Novel and the #1 best-selling 42: The Jackie Robinson Story), educational books, and roleplaying games (including the Origins Award-winning Gamemastering Secrets). He is a founding member of Crazy 8 Press. You can follow him online at gryphonrose.com, on Facebook at facebook.com/gryphonrose, and on Twitter @gryphonrose.

Crazy 8 Returns to Shore Leave

As part of our annual tradition, our Crazy 8 Press team of Aaron Rosenberg, Russ Colchamiro, Glenn Hauman, Peter, David, Robert Greenberger, and Michael Jan Friedman will descend on the Hunt Valley Inn for Shore Leave 39 from July 7-9, where we’ll be in full force (sans Paul Kupperberg, who is hiding out in the wilds of Connecticut concocting his next act of authorly mayhem).

Speaking of mayhem …

There wouldn’t be a Shore Leave without a Crazy 8 Press anthology, and we hope this year takes the cake! Debuting at the convention is this year’s anthology, Love, Murder & Mayhem, a collection of superhero, super villain, private eye, time travel travel, AI, dream surrogate, monster mash and DuckBob murder mysteries, with stories from not only the seven Crazy 8 Press members, but many of our friends, too, including attendees Hildy SIlverman, Kelly Meding, and Mary Fan,

The party starts with Meet the Pros at 10 p.m. on Friday with all the authors on hand to sign and sell books, shake hands, take selfies, and make madness. Hey. It’s what we do best.

Peter David, Bob Greenberger, and Mike Friedman at Shore Leave 38. Photo by Jen Snyder.

On Saturday and Sunday, our six attending members (and possibly a surprise or two!) can be found on numerous panels scattered across the schedule, and we’ll be on hand to together Saturday at 3 p.m. in the Derby Room for annual Crazy 8 Press panel. Six years ago at Shore Leave, a group of writers decided to write what they wanted and publish it themselves. What have they learned since? What’s coming next? And why must Glenn Hauman die?

The C8 team shows how NOT to settle disagreements at the York Emporium.

Immediately following at 4 p.m. is the first of two Crazy 8 Press Teen Workshops. Designed for younger writers, we take you through the process, with Aaron, Bob, and Mike discussing what goes into a good plot.

On Sunday at Noon, also in the Derby Room, Peter, Russ, and Glenn will talk about characterization.

And if that’s not enough Crazy 8 Press for you, we’ll be hanging out at the bar after the sessions close, instigating our next round of mayhem.

Hope to see you there!

Love, Murder & Mayhem – Confessions of Angela Hardwicke, P.I.

 

  1. Confession time.

Our new Crazy 8 Press anthology — Love, Murder & Mayhem — came about for purely selfish reasons. And her name is Angela Hardwicke, but I’ll come back to that.

It was my turn among us Crazy 8 Press authors to run the new anthology. My theme was that each story (there are 15 total) had to include at least one act of love or romance, at least one murder, and mayhem welcome … with every story set within a science fiction setting.

I also opened up the doors (as we have been doing) to outside author friends of ours, and I insisted that the lineup include about an equal mix of male and female writers.

The stories are all one-shots … so there are no interlocking characters or inter-connected narratives. Each author delivered his or her own story, in their own distinct Universes.

But why this theme?

For the uninitiated … among works of fiction, I am the author of the three-book scifi backpacking comedy series that includes FINDERS KEEPERS, GENIUS DE MILO, and ASTROPALOOZA (the final book in the series, which launched earlier this year).

In the second book, GENIUS DE MILO, I introduced a new character, although just as a cameo. Her name? You guessed it. Angela Hardwicke.

She’s a private eye, envisioned in that classic Sam Spade style — trench coat, fedora, and all, the kind of character I’ve always wanted to write.

I upgraded Hardwicke in the series finale, ASTROPALOOZA, where she plays a fairly prominent role. But I knew early on that I eventually wanted to give her a stand-alone series, where she becomes the central figure. The star.

Going forward my plan is to give her at least three books of her own, which will include her origin story, at least one key nemesis, and a long and tortured journey which helps drive her underlying motivations.

But before I dive into an entire series, I wanted to do a test case with Hardwicke. So I figured, what better way than through a short story, with her in the lead, as a way for me to get a better sense of who she is, how she operates, and what the future holds for her.

Thus, my tale in this anthology is entitled: The Hardwicke Files: The Case of My Old New Life and the One I Never Knew. The narrative has Hardwicke investigating a mysterious fire at a music club in E-Town (the realm where the Universe is created), where a body turns up dead, and with a tangential connection to Hardwicke herself.

Another confession — when I set this anthology in motion, in my mind’s eye I thought I’d get nothing but detective stories. And I did get a few others. But I also got stories with superheroes and supervillains. Stories set off-world and in space cruisers. Plus artificial intelligence, a monster mash and (for good measure) … one DuckBob!

Did I have my own motivations to set this anthology in motion? You bet.

But like any great mystery, this collection of love, murder, and mayhem stories had me starting off in one place, taking me across the Universe and back, and ending up in a way—and in places—I never saw coming.

I wouldn’t have it any other way.

Enjoy!

Russ

Love, Murder & Mayhem from Crazy 8 Press will be on sale both in print and digital formats in July. Stay tuned for updates!

Russ Colchamiro is the author of the rollicking space adventure, Crossline, the hilarious sci-fi backpacking comedy series, Finders Keepers, Genius de Milo, and Astropalooza, and is editor of the new anthology, Love, Murder & Mayhem. He is a member of Crazy 8 Press.

Russ lives in New Jersey with his wife, two children, and crazy dog, Simon, who may in fact be an alien himself. Russ has also contributed to several other anthologies, including Tales of the Crimson Keep, Pangaea, Altered States of the Union, and TV Gods 2. He is now at work on a top-secret project, and a Finders Keepers spin-off.

For more on Astropalooza and Russ’ other tales, you can visit www.russcolchamiro.com, follow him on Twitter @AuthorDudeRuss, and ‘like’ his Facebook author page.

NaNoWriMo Success Stories, or how DuckBob was born

“Write something different.”

That’s what my friend said to me. It was a challenge, really. We’d been talking about writing, and I’d mentioned that, for once, I might actually be able to do NaNoWriMo properly. I’d “sort of” done it once or twice before, by writing novels while it was going on, but I’d already been working on those when November had rolled around and so technically they didn’t qualify. But this time I had a gap in my writing schedule at just the right moment, and I thought “this time, I’m going to do it for real.”

The only question was, what to write? Which is where my friend’s challenge came in.

I decided to rise to the occasion. I’d written mostly genre action-adventure to this point, for properties like Star Trek and WarCraft and Eureka—lots of fun, lots of action, the occasional bit of humor but mostly serious, in the way that big-budget cinematic action is serious. Which is why I decided to do something actually full-on funny for a change.

I had this idea that had been kicking around in my files for a few years. It had started as a joke with a friend, just one of those random weird lines you throw out in conversation. But it had stuck, and I’d thought even then “this could be the basis for a really fun novel, in the same vein as Hitchhiker’s Guide to the Galaxy.” It was about a duckheaded man surfing the ion wave.

I sat down to write that book with very little plan beyond the initial image and the fact that I wanted to just kick back and have fun and be silly. I wrote somewhere around 60k that November, officially “completing” or “winning” NaNoWriMo. The following month I finished the book for real. It became No Small Bills, the first of the Adventures of DuckBob Spinowitz, which is now three books and counting.

NSB RVSD front cover

And I don’t know if I would have actually managed to write that book at all if not for my friend’s push, and NaNoWriMo’s structure and built-in pressure-cooker deadline. So thank you, NaNoWriMo! And for all of you participating in it this year, good luck! You can do it!