Tag Archives: love

Love, Murder & Mayhem: Read it Now: Reboot of Jennis Viatorem

Karissa Laurel’s “The Reboot of Jennis Viatorem” tells the story of a freighter pilot who retires from service to rescue her widowed son, a single father and chef on an entertainment vessel, accused of murder. A murder that may in fact be covering up an even bigger conspiracy, and revealing secrets that have torn their family apart for decades.

Here’s an early look:

The Reboot of Jennis Viatorem

By Karissa Laurel

What had first appeared as a distant prick of light on Jennis Viatorem’s view screen had grown into the oblong, riflebullet shape of the Fête. Light from a nearby star reflected off the cruise ship’s sleek surface, giving it a blue, spectral glow.

According to the transmission Jennis received as she initiated docking protocols, more than 5,000 guests and several hundred staff members currently resided aboard the luxury cruiser. Jennis drew in a deep breath and held it as she approached the docking bay. Compared to the open expanse of deep space she’d been roaming for nearly two years, she suspected joining the crowds aboard the Fête would make her feel like a particle of dust jammed in the nucleus of a comet.

A small photograph sat in the corner of the instrument panel in her cockpit. The edges had gone soft and yellow with age. Few people invested in printed pictures anymore, but she had wanted an image to carry with her always, regardless of battery power or communication signals. The photo of the little grinning boy, his brown cheeks dusted with flour and powdered sugar, had reminded her for decades of the reasons she couldn’t drift into the abyss and never return as she was sometimes tempted to do. His name was Charli, and he was her tether, her anchor, her son, and the source of her greatest guilt—a sentiment she had struggled to ignore for nearly thirty years. Presently, that tether was drawing her back to him, and remorse weighed heavy in her heart.

Gritting her teeth against a groan, Jennis rose from her cockpit and shuffled down the steps leading to the interior of her empty cargo-bay. She stroked the walls of the Humuli, her beloved ship.

With it, she had recently delivered a load of rations to a pioneer outpost on a terraformed planet in the Grable system. It was there that she had received the transmission from Charli that reeled her back in: Amerie was dead. Murdered. Poisoned by the soup on her supper tray.

A supper tray Charli had prepared himself in his five-star kitchen aboard the Fête where he lived and worked. Amerie had been the cruise ship’s chief mate in charge of cargo. She had also been his beloved wife of four years and the mother of their only child, Celestine. Although Charli had delivered that fatal meal, he was not the true culprit. The man who had framed Charli had been found, arrested, and was presently awaiting trial.

The moment the Humuli had settled inside the Fête’s massive hangar, Jennis’s crew made hasty farewells and disappeared into the cruse ship’s interior. The temptation of casinos, fresh food, and time away from each other had lured them like a siren enticing

those sailors of ancient legends. Jennis paused at the edge of Humuli’s lowered cargo ramp and watched the cruise staff scurry back and forth, escorting new arrivals and sending off departing guests.

The Fête regularly orbited exotic ports of call: planets terraformed to resemble tropical locales that had gone extinct on Earth. According to Charli’s last transmission, the Fête was currently en route to New Rio, where shuttles would cart tourists to a surface coated in sugar-sand beaches, palm trees, and crystalline blue waters.

“Mom?” From the crowded concourse emerged a young man wearing a distinctive double-breasted jacket—the kind chefs had adopted centuries ago and never abandoned despite decades of sartorial evolution.

Jennis painted on a smile and ignored the sharp pang that lanced her heart whenever she first saw her son after an extended absence. In her mind, she always pictured him as the chubbycheeked boy in the photograph, but in reality he had grown three feet, aged twenty years, and shed the roundness of early adolescence.

He looks so much like his damned father . . . Inherited his worst traits, too, it would seem.

To read the rest of “The Reboot of Jennis Viatorem”’ click here.

Love, Murder & Mayhem: Read it Now: A Goon’s Tale

Kelly Meding’s “A Goon’s Tale” chronicles Rocky Mills, a down-on-his luck insurance adjuster who just may be on his road from villain … to super villain. Where does it take him?

To find out, here’s an early look:

A GOON’S TALE

by Kelly Meding

“Got a live one for ya!”

Dick screeched out the words the moment Rocky Mills barreled into the office with coffee on his shirt and a lot of steam in his head. After an intensely crappy morning, Rocky wasn’t in the mood for another bad lead.

Rocky stopped in the middle of the small office space he shared with Dick Smalls at City Fields Insurance and took a deep breath so he didn’t snap at the guy first thing. Dick had been transferred into Rocky’s two-man division that handled Supersrelated insurance claims six months ago, after Rocky’s previous coworker was accepted into the Heroine Society as an apprentice, and Dick was a talkative pain in the ass. Constantly nattering about how much he loved this job, loved meeting clients, blah, blah, blah. He had no clue Rocky had taken the job out of necessity, not love.

Insurance adjuster was miles from where he’d planned to be at this point in life. Except Rocky knew firsthand how fast plans could change. Since Rocky was already in a crap mood, he took silent revenge by referring to his coworker in his head as Dick, instead of the insisted-upon Richard. The name Dick Smalls gave Rocky a secret smirk on his worst days.

“I sure hope you’ve got a live one for me,” Rocky said. “You know I don’t like life insurance or accident claims, not even for Supers incidents.”

“Home insurance claim from last night’s fight between Despair and The Resistor. Should be a good lead.”

Rocky glanced behind him at the still open door. Anyone could have walked by when Dick said “a good lead.” It was no wonder Dick was still a bronze-level Goon. Two levels below Rocky, who had finally achieved gold-level last year. It was the highest level Rocky could ascend to before apprenticing for actual Villain status.

SuperVillain status was his dream now, and almost everyone had to start from the bottom as a basic Goon. Very few exceptions shot right to SuperVillain nowadays. Too much competition, not enough talent. Rocky had the talent and the motivation. He needed the power that came with the Villain Guild in order to right a very important wrong.

Rocky shut the door to their shared office, then dropped into his desk chair. “I’m in no mood,” Rocky snapped. “My alarm didn’t go off, so I barely had time to shower. I spilled my coffee in the car, I have a flat tire I need to fix on my lunch break—and don’t get me started about the ride in just now—and I can’t even eat my damn lunch, since I left it at home because I was running late. If you’re over-selling this lead, I won’t be responsible for my actions.”

“It’s for real, I promise.” Dick dumped a data sheet on Rocky’s desk. “Look at the guy’s address.”

Rocky picked up the sheet, then low-whistled. “Cherry Falls. Nice. The guy’s got credit for sure, if he can afford a place there.” Cherry Falls was one of the wealthiest neighborhoods in Star City, and they didn’t have a lot of Supers insurance carriers out there, since Supers battles rarely spilled into that side of the city.

To read the rest of “A Goon’s Tale”, click here.

Love, Murder & Mayhem – A Note on “The Note on the Blue Screen”

By Mary Fan

When Russ first invited me to participate in the Love, Murder & Mayhem anthology for Crazy 8 Press, I was in the middle of publishing a Sherlock Holmes retelling, The Adventure of the Silicon Beeches, that takes place in the space opera future and reimagines both Sherlock and Watson as young women.

I could get on my feminist soapbox as to why I gender-swapped both roles, but I’ll save that speech for a Tweetstorm (or not… diatribes are so time-consuming, and I have fiction to write…)

Anyway, I’d written the Adventure of the Silicon Beeches as a standalone novella, but had so much fun that I decided I’d follow the Sherlockian tradition of writing multiple little mysteries starring the crime-solving duo. So when I first saw the prompt for Love, Murder & Mayhem, my mind immediately went, “Perfect! I’ll have Sherlock and Watson solve a murder mystery!”

The obvious thing to do would have been to introduce a deadly crime of passion and have the girls chase down the brokenhearted culprit. But that sounded cliché before I even started hammering out a plot. So I considered how far I could stretch the prompt and wrote to Russ asking, “Hey, does it have to be romantic love?”

Every retelling of Sherlock Holmes requires a close bond between the detective and his lifelong best friend, one that definitely qualifies as love whether it’s portrayed as platonic (most traditional retellings), romantic (the subject of a million slash fics), or somewhere in between.

In my reimagining, Watson is a young engineer named Chevonne who rescued Sherlock, a sentient AI modeled after a human woman who was discarded by her creators, from a scrap pile. I chose to keep their relationship platonic—as best friends and sisters-in-crime (or crime-solving)—though close to an almost co-dependent extent.

I was also determined not to have Chevonne be a passive narrator or a sidekick. And then it hit me—what if I turned tradition on its head and had Watson solve the mystery for a change? And to get Sherlock out of the way but keep her in the picture—what if she were the victim?

There’s even precedent of sorts in the Sherlockian canon—His Last Bow throws the detective off a cliff to his apparent death. In my story, “The Note on the Blue Screen”, what if Watson had to figure out what had happened and finish what Sherlock had started? What if getting involved put Watson in the bad guy’s crosshairs?

Boom: Love, Murder & Mayhem.

Love, Murder & Mayhem is now available for sale both in print and ebook formats.

Mary Fan is the author of several sci-fi/fantasy books about intrepid heroines, most recently Starswept, a YA sci-fi romance about classical music and telepathic aliens. She is also the author of the Jane Colt space opera/cyberpunk trilogy, the Firedragon YA dystopia/fantasy novellas, and the Fated Stars YA high fantasy novellas. In addition, she is the co-editor of the Brave New Girls sci-fi anthologies about girls in science and engineering, proceeds of which are donated to the Society of Women Engineers scholarship fund. Chevonne and Sherlock also appear in Brave New Girls: Stories of Girls Who Science and Scene and the standalone novella The Adventure of the Silicon Beeches.

Find Mary online at www.MaryFan.com.

Love, Murder & Mayhem – Confessions of Angela Hardwicke, P.I.

 

  1. Confession time.

Our new Crazy 8 Press anthology — Love, Murder & Mayhem — came about for purely selfish reasons. And her name is Angela Hardwicke, but I’ll come back to that.

It was my turn among us Crazy 8 Press authors to run the new anthology. My theme was that each story (there are 15 total) had to include at least one act of love or romance, at least one murder, and mayhem welcome … with every story set within a science fiction setting.

I also opened up the doors (as we have been doing) to outside author friends of ours, and I insisted that the lineup include about an equal mix of male and female writers.

The stories are all one-shots … so there are no interlocking characters or inter-connected narratives. Each author delivered his or her own story, in their own distinct Universes.

But why this theme?

For the uninitiated … among works of fiction, I am the author of the three-book scifi backpacking comedy series that includes FINDERS KEEPERS, GENIUS DE MILO, and ASTROPALOOZA (the final book in the series, which launched earlier this year).

In the second book, GENIUS DE MILO, I introduced a new character, although just as a cameo. Her name? You guessed it. Angela Hardwicke.

She’s a private eye, envisioned in that classic Sam Spade style — trench coat, fedora, and all, the kind of character I’ve always wanted to write.

I upgraded Hardwicke in the series finale, ASTROPALOOZA, where she plays a fairly prominent role. But I knew early on that I eventually wanted to give her a stand-alone series, where she becomes the central figure. The star.

Going forward my plan is to give her at least three books of her own, which will include her origin story, at least one key nemesis, and a long and tortured journey which helps drive her underlying motivations.

But before I dive into an entire series, I wanted to do a test case with Hardwicke. So I figured, what better way than through a short story, with her in the lead, as a way for me to get a better sense of who she is, how she operates, and what the future holds for her.

Thus, my tale in this anthology is entitled: The Hardwicke Files: The Case of My Old New Life and the One I Never Knew. The narrative has Hardwicke investigating a mysterious fire at a music club in E-Town (the realm where the Universe is created), where a body turns up dead, and with a tangential connection to Hardwicke herself.

Another confession — when I set this anthology in motion, in my mind’s eye I thought I’d get nothing but detective stories. And I did get a few others. But I also got stories with superheroes and supervillains. Stories set off-world and in space cruisers. Plus artificial intelligence, a monster mash and (for good measure) … one DuckBob!

Did I have my own motivations to set this anthology in motion? You bet.

But like any great mystery, this collection of love, murder, and mayhem stories had me starting off in one place, taking me across the Universe and back, and ending up in a way—and in places—I never saw coming.

I wouldn’t have it any other way.

Enjoy!

Russ

Love, Murder & Mayhem from Crazy 8 Press will be on sale both in print and digital formats in July. Stay tuned for updates!

Russ Colchamiro is the author of the rollicking space adventure, Crossline, the hilarious sci-fi backpacking comedy series, Finders Keepers, Genius de Milo, and Astropalooza, and is editor of the new anthology, Love, Murder & Mayhem. He is a member of Crazy 8 Press.

Russ lives in New Jersey with his wife, two children, and crazy dog, Simon, who may in fact be an alien himself. Russ has also contributed to several other anthologies, including Tales of the Crimson Keep, Pangaea, Altered States of the Union, and TV Gods 2. He is now at work on a top-secret project, and a Finders Keepers spin-off.

For more on Astropalooza and Russ’ other tales, you can visit www.russcolchamiro.com, follow him on Twitter @AuthorDudeRuss, and ‘like’ his Facebook author page.

Love Is A Many Splendored Thing

Old_BooksI love books.

I love to read them. I love to hold them in my hands as their stories and mysteries unfold for me with the turn of every page. I love to own them and to see them on the shelves of my bookcases. I especially love old books, the older the better, especially surprising little tomes from the 19th and early-20th centuries, often found for a few dollars at tag sales and library sales, books with solid, tooled covers over thick, luxurious pages, and engravings protected by sheets of vellum that have survived the journeys through the decades, many inscribed to recipients long, long gone.

I love books for the stories they tell and the worlds they open to me. And I love the people who write the books that I love so much. Some, of course, more than others.

Take F. Scott Fitzgerald. I fell in love with his Great Gatsby the first time I read it in high school. I loved it for its passion, for its power, for its evocation of a lost era (I was, I think, born a nostalgic), and, mostly, for its prose. (Although as much as I loved the book, I couldn’t–at the time–quite wrap my brain around why Jay Gatsby had it so bad for Daisy Buchanan. I mean, let’s face it, Daisy was a vapid twit, a thoughtless rich girl who could easily fit into a contemporary reality show. The Real Housewives of East Egg, anybody? But, I guess what Emily Dickenson wrote is true: “The Heart wants what it wants – or else it does not care.”)

I’ve probably read and reread The Great Gatsby close to twenty times since then; it’s a book I go back to every year or two, particularly when looking for an infusion of inspiration. It’s the book that made me love “Literature” with the capital-L pretentiousness familiar to every college English Lit major. It’s the book that lead me to other books, by Fitzgerald and by his contemporaries and by those who inspired his generation of writers, as well as those inspired by them. Ernest Hemingway. William Faulkner. Sherwood Anderson. Norman Mailer. Graham Greene. J.D. Salinger. Gore Vidal. Joseph Heller. Pete Hamill. Michael Chabon. Philip Roth!

I’d always been a reader, but most of what I read up until then was fantasy and science fiction (and comic books)…which isn’t to take away from either genre. I believe great swaths of both can stand beside the best “Literature” has to offer, from Edgar Rice Burroughs’ Tarzan of the Apes to Arthur C. Clarke’s Childhood’s End and Alfred Bester’s The Stars My Destination. And next to Fitzgerald my favorite author is Jack London, whose great adventure tales like The Call of the Wild and White Fang pale in comparison with the depth of character and richness of The Sea Wolf and his two breathlessly brilliant autobiographical novels, Martin Eden and John Barleycorn.

A good story is a good story. Donald Hamilton, author of the Matt Helm novels (27 of them–and a reported unpublished 28th–between 1960 and 1993), wasn’t trying to write literature; he was churning out pulp-inspired paperback originals to meet a specific market demand, but he was a hell of a storyteller and a balls-to-the-wall prose stylist. Elmore Leonard, who learned his craft toiling in the same paperback vineyards of the 1950s, was a similarly powerful writer whose work took decades to be accepted as “literature.” William Goldman, James Goldman, Frederick Exley, Rex Stout, Dennis Potter, Isaac Asimov, Ed McBain, Tom DeHaven, Damon Runyon, Madeleine L’Engel, Sidney Taylor, Ross MacDonald, John D. MacDonald…what difference does it make what genre they were writing in as long as their stories touched me, made me think, or made me cry? William Faulkner settled it once and for all in his 1950 Nobel Prize acceptance speech: “…The problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.”

So, yeah, I love books, both for their physical form and emotional content…and for the path they led me on that brought me to a place where now I get to write them as well.

Talk about a love story with a happy ending!