Hey Kids, Comics! Comes to Kindle and Audiobooks

hey kids, comicsCrazy 8 Press sees its first audiobook and what better title to work with than Rob Kelley’s loving trip down memory lane, Hey Kids, Comics!? The book and its three dozen or so essays talks about our personal love affair with comic books, from collecting them to storing and trading them. There’s a nice, diverse assortment of writers and finally, the book is now available as a Kindle eBook or an audiobook, narrated by Ross Landy.

As Rob writes at his blog, he is soliciting and collecting essays for a second must-read volume. But first, check out this book.

An Update and Happy Holidays from Crazy 8 Press!

C8 Farpoint MeetingWe’ve been quiet here at Crazy 8 central but far from idle. All the members have been toiling away, some on projects to debut here in 2015 and some doing work for other publishers. But trust us, we’ve got plans for the coming year, everything from new titles from the individual members but a new collaborative project.

So, back over the summer, Crazy 8 Press released the paperback edition of our collaborative anthology, Tales of the Crimson Keep. It was tremendous fun for the original founders to revisit our first shared universe. Our subsequent members, Russ Colchamiro and Paul Kupperberg, also joined in and the volume debuted as our third anniversary present to readers.

And now, in time for last minute gift giving, the Kindle and Nook editions of the book are available at this link.

To date, the comments received online and in person have been gratifying, so much so, that we’re raising the stakes. Mike Friedman has spent all fall working on something that we’ll be revealing just after the holidays. It’s big, it’s ambitious, and has all of us very excited.

We’ll be discussing this when the team reconvenes in February at Farpoint in Maryland.

In the meantime, we’ve been tweaking things here and there. Working behind the scenes for the last year, Jennifer Rosenberg (yes, Aaron’s adorable wife) has been helping us out on our social media outreach. She’s got us up and running and is moving on to other challenges and we want to publically thank her for the efforts (and for putting up with us). Additionally, the website has been slowly evolving and credit goes to webmaster wunderkind Kate Cooke, so here’s a public thank you.

While we’re not quite ready to reveal titles for 2015, we can assure you that each and every one of us has something in the works, aimed at this site. Previously mentioned projects — such as Russ’ sequel to Finders Keepers or Peter David bringing his Sir Apropos series to C8 – are still happening. Other original works are in the world and some of those will be revealed in the coming weeks and months.

For now, though, we want to thank you for your support. Your purchases and comments continue to encourage us to strive harder and bring you things we want to write and think you’d enjoy reading. Have a safe, happy holiday season and we’ll be chatting again just after the New Year.

NaNoWriMo Success Stories, or how DuckBob was born

“Write something different.”

That’s what my friend said to me. It was a challenge, really. We’d been talking about writing, and I’d mentioned that, for once, I might actually be able to do NaNoWriMo properly. I’d “sort of” done it once or twice before, by writing novels while it was going on, but I’d already been working on those when November had rolled around and so technically they didn’t qualify. But this time I had a gap in my writing schedule at just the right moment, and I thought “this time, I’m going to do it for real.”

The only question was, what to write? Which is where my friend’s challenge came in.

I decided to rise to the occasion. I’d written mostly genre action-adventure to this point, for properties like Star Trek and WarCraft and Eureka—lots of fun, lots of action, the occasional bit of humor but mostly serious, in the way that big-budget cinematic action is serious. Which is why I decided to do something actually full-on funny for a change.

I had this idea that had been kicking around in my files for a few years. It had started as a joke with a friend, just one of those random weird lines you throw out in conversation. But it had stuck, and I’d thought even then “this could be the basis for a really fun novel, in the same vein as Hitchhiker’s Guide to the Galaxy.” It was about a duckheaded man surfing the ion wave.

I sat down to write that book with very little plan beyond the initial image and the fact that I wanted to just kick back and have fun and be silly. I wrote somewhere around 60k that November, officially “completing” or “winning” NaNoWriMo. The following month I finished the book for real. It became No Small Bills, the first of the Adventures of DuckBob Spinowitz, which is now three books and counting.

NSB RVSD front cover

And I don’t know if I would have actually managed to write that book at all if not for my friend’s push, and NaNoWriMo’s structure and built-in pressure-cooker deadline. So thank you, NaNoWriMo! And for all of you participating in it this year, good luck! You can do it!

In the Writer’s Chair – Taking a Novel from Almost Done to Actually Done

RussThere’s a strange feeling that comes with almost being done with a novel.

Almost.

I’m having that sensation now.

The sequel to Finders KeepersGenius de Milo — is just about done.

The manuscript is written. I printed it out, doubled spaced, and have been reading the pages for the last few weeks.

I’ve read every word on every page, twice, and I’m down to the last 20 pages on the third and final read-through. Some pages are perfectly clean, others have lots of hand-written notes, and the rest are somewhere in between.

In addition, the Genius de Milo manuscript is in the hands of three trusted friends who I’ve worked with before, who will be sending back their notes within the next month.

There’s an excitement to being almost finished. A flutter of anticipation.

There’s also a sense of … ooooh, this book is going to be great, but I’m basically done, so … let’s ease up.

And there’s even a middling sense of … I want to be done already. I’ve been at this a long time. I’m ready to move on.

But mostly … I’m feeling good.

Yes, the fatigue can set in, but this time around I’m coming to the finish line with energy, focus, and enthusiasm.

I’ll be done reading pages within a day or so.

Then I need to get back to the computer, and start transferring all of my hand-written notes to the electronic file. In most cases we’re talking minor technical edits — a spelling mistake, a misplaced comma, the wrong character name!

But there are cases where a sentence or paragraphs needs to be re-written, and one section I’m going to cut entirely because it doesn’t serve the story. There’s some character development that I liked, but not enough to warrant slowing down the plot. So that’s gone.

I’ll have to fill in some details through Web searches, and fact check a few items.

I figure it’ll take me 2-3 weeks to input all of my changes, by which time I should be getting notes from my reader crew. What comes next will depend on their notes. They might have minor notes, or perhaps they’ll be more extensive. And then I’ll have to think on them, and decide which ones to incorporate into what by then should be a ‘clean’ manuscript.

But getting back to being almost done …

This is the time to really focus. To appreciate that being almost done isn’t the same as being actually done. It’s those final edits, those little tweaks that can clean up a mistake, take a passage from good to great, and even elevate the tenor of the entire novel.

The finishing touches are vital. At least that’s been the case for me.

Yet getting those final touches across with nuance and sophistication, while fighting off the fatigue of just wanting to be done, is critical. It’s where the mental discipline comes in. The focus.

So here I go, ready to finish another novel, one that I’m awfully excited about.

Genius de Milo has been a lot of fun to write. I’m curious as to what you all will think. Hopefully you’ll enjoy it.

Now it’s a matter from getting this book from almost done to actually done.

Wish me luck.

I Am The Salamander is ready to slither

SALAMANDER_COVER2Don’t freak out.

Tim Cruz, I mean, not you. Tim is gradually turning into something he never would have imagined possible, something stupid and horrifying and, frankly, kind of disgusting. That’s why he keeps telling himself: Don’t freak out.

Tim is the protagonist of my newest work, a young adult adventure novel I call I Am The Salamander. Last year about this time, 121 wonderful people helped make this book possible via a hair-raising, white-knuckled, thrill-a-minute Kickstarter campaign. Now, thanks to them, I Am The Salamander is ready to go to market.

It is now available as an e-book through Crazy 8 Press, Amazon, and BN.com, and as a trade paperback through Amazon.

If you were one of the 121 stalwarts who supported this project, reach back over your shoulder and give yourself a pat. You done good. If you weren’t one of the 121, well…now’s your chance to see what all the hoopla was about.

Character Issues

By Paul Kupperberg

 Created by me (with John Byrne and Steve Irwin), owned and © DC Comics

Created by me (with John Byrne and Steve Irwin), owned and © DC Comics

Recently, Bob Greenberger wrote about the satisfaction of creating and writing a recurring character of his own and that got me to thinking about characters I’ve worked on in my career. Having spent more than a little of the past forty years laboring in the comic book field, a majority of the stories I’ve written were about OPCs (Other People’s Characters), from the Atom and Archie to Superman and Scooby Doo. I’ve never had a problem with that; as a lifelong comic book fan, I was always happy to get my paws on the classic characters I grew up reading. But a writer comes to these established and long running characters weighed down by the character’s baggage, allowed to bring to them a certain limited amount of individual interpretation but always bound by what came before…and with full knowledge that no matter what story they tell, things have to be reset to the status quo when they’re done.

Still, along the way, I managed to create a few new additions to the DC Universe of characters. A sorcerer here, a spy agency there, a science fiction hero way out there in deep space…but though I created them, they aren’t really mine. Mainstream corporate comics operate (for the most part) under the work-made-for-hire provision of copyright law, meaning that the corporation is considered the legal “author” of the work. The actual creators have some (small) equity in the creation, but no real control over its destiny or use. The editor, as representative of the “author,” has more control over the character than does the creator and the corporation is free to make whatever changes or alterations it deems necessary.

I’ve also written a considerable number of words in prose for OPCs, including the Green Hornet, the Lone Ranger, Star Trek, Doctor Who, the Avenger, Batman, Superman, Wonder Woman, Spider-Man, the Hulk, Archie, Powerpuff Girls, and others, and I’ve enjoyed them all. But, again, these characters were all well established before I got to them and I was obliged to leave them pretty much as I found them once I’m done. As much fun as I’ve had with all the neat toys in those different sandboxes, I always knew they belonged to someone else and that when I went home at the end of the day, I had to leave them where I had found them for the next writer to play with.

The difference between writing OPCs and your own creation is the same as the difference between running a race with and without leg irons. In corporate comics or prose featuring licensed properties, you’re hobbled by the rules of the characters’ owners. But with your own characters, you’re free to run like the wind, limited only by your own imagination.

And, thanks to the paradigm shift in publishing I wrote about last month, I’m free to write my characters, my way. Of course, I was always free to write the stories…I just wouldn’t necessarily have had a venue in which to publish them so someone other than myself could actually read them. But thanks to Crazy 8 Press (and Charlton Neo for comics projects), now I do. And what I write remains mine, to do with as I wish and retain full rights to them should I ever be lucky enough to have any of them optioned for licensing or other media.

Created by me and Rick Burchett and owned and © me and Rick Burchett
Now: Created by me and Rick Burchett…and owned and © me and Rick Burchett

Maybe corporate comics and book publishing can offer me greater exposure (although neither seems to be offering much these days in the way of anything except to the Big Names who can sell Big Numbers), but they take away much more by what they demand in exchange for the privilege of being published by them. Junker George and F.B.I. Special Agent Irwin Benjamin in the ReDeus stories, shabby and put upon little Weekly World News investigative reporter Leo Persky in a quartet of tales (previously published in R. Allen Leider’s Hellfire Lounge anthology series and soon to be included in my upcoming Crazy 8 collection of short stories, In My Shorts: Hitler’s Bellhop and Other Stories), the comics characters Blank and Neo (and others to follow) in various Neo publications…mine, mine, mine, all mine.

As Janice Joplin sang, “freedom’s just another word for nothing left to lose,” but in this instance, I think it means everything to gain.

Crazy Good Stories