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Crazy 8 will be at Farpoint

Farpoint logoPeter David, Michael Jan Friedman, Bob Greenberger, Glenn Hauman, and Aaron Rosenberg will be attending Farpoint in Timonnium, Maryland over President’s Day Weekend. Russ Colchamiro and Paul Kupperberg are unable to attend this year, staying home to keep writing (or so they tell us).

Pangaea 2 CoverFriday evening at 10 will be the usual author’s book event so you can get your shopping done early, collecting autographs along the way.

Our panel will be Saturday at 4 where we will discuss our plans for 2016, starting with the current Kickstarter campaign for Pangaea II.

Meantime, here is a handy guide where to find us during the show:

Kathleen David

Fantastical Shows and Where To Watch Them
Friday, 5:00 PM

How’s Twelve Doing?
Saturday, NOON

Peter David

51FayIbj2BLLAutographs: Rigel Ailur, Peter David, Dave Galanter, Allyn Gibson
Saturday              10:00 AM

Readings: Peter David, Jennifer Povey, Joseph Berenato
Saturday              11:00 AM

Aliens: Beyond Pointy Ears & Bumpy Heads
Saturday              3:00 PM

Crazy 8 Press
Saturday              4:00 PM

Autographs: Joseph Berenato, Peter David, Keith DeCandido, Dave Galanter Saturday   6:00 PM

Star Trek Turns 50!
Sunday                 10:00 AM

What’s Changed with the All-New All-Different Marvel Comics
Sunday                 NOON

World Building 101
Sunday                 2:00 PM

Michael Jan Friedman

The Seeker and the SwordAutographs: Ben Anderson, Mike Friedman, Heather Hutsell, David Mack
Saturday         NOON

Crazy 8 Press
Saturday              4:00 PM

Star Trek Turns 50!
Sunday                 10:00 AM

Readings: Mike Friedman
Sunday                 11:00 AM

Autographs: Joseph Berenato, Mike Friedman, Marc Okrand, Jennifer Povey Sunday     NOON

What is New in the MCU?
Sunday                 2:00 PM

Bob Greenberger

MatterOfFaith2Bob Greenberger
Saturday              10:00 AM

Writing Workshop
Saturday              NOON

Holy Golden Anniversary, Batman!
Saturday              3:00 PM

Crazy 8 Press
Saturday              4:00 PM

The Bob & Howie Show
Sunday                 11:00 AM

Sci-Fi Fights!
Sunday                 1:00 PM

Glenn Hauman

Bob Greenberger
Saturday              10:00 AM

Crazy 8 Press
Saturday              4:00 PM

Aaron Rosenberg

51k7j83bmXLChanges In Business Of Speculative Fiction
Friday, 6:00 PM

Crazy 8 Press
Saturday              4:00 PM

Writing for the Game Industry
Sunday                 11:00 AM

Collaborations
Sunday                 1:00 PM

Books for the Holidays

51Gn70L5MALIt’s beginning to look a lot like Christmas.

By which I mean, crass commercialism and holiday insanity (pagan cup of Christmas-hating Starbucks Christmas Blend coffee anyone?) are in full bloom, making life, shopping, and social media things to be, if not feared, at least avoided.

And, seeing as I’m at a point in my life where I’ve been trying to divest myself of the endless cartons of stuff I’ve accumulated and have been schlepping around with me for almost fifty years, the thought that this time of year could bring new stuff to replace it is sort of disturbing. (My need to shed that useless tonnage of paper et al found voice, albeit in the extreme, in a short story “Unburdened,” found here.)

But never let it be said I was a holiday…I’m sorry, Christmas (‘cause I don’t want to be accused of waging a war against Christmas in this, a nation that’s about 85% Christian) buzzkill, and, c’mon, seriously, who doesn’t like getting presents? Especially books.

51oqzCTobLSo, in that spirit, and ‘cause that’s the theme of these holiday season posts, here are some books I think readers who have enjoyed my work (which you can check out here…y’know, just to refresh your memory…but, hey, come to think of it, any of ’em would make fine holiday gifts in their own right!) might be pleased to find under their trees, menorahs, or kwanzaa candles:

 

CainI love a mystery, especially the classics of the genre. I can’t recommend highly enough any or all of the works of James M. Cain, author of such classics as The Postman Always Rings Twice, Double Indemnity, and Mildred Pierce (although the last, a fine novel in its own right, was turned into a murder mystery by the studio when it was filmed in 1945 starring Joan Crawford). A great introduction to this masterful writer can be had for about $20.00, The Postman Always Rings Twice, Double Indemnity, Mildred Pierce, and Selected Stories (Everyman’s Library Classic, 2003).

StoutAnother favorite is Rex Stout, author of thirty-three novels and forty novellas starring that rotund epicurean detective, Nero Wolfe and his sidekick, Archie Goodwin. Beautifully written, meticulously plotted, and often hilariously charactered, the Wolfe novels hold up even eighty years after they first began to appear. Get a great big serving of Wolfe and Goodwin in Seven Complete Nero Wolfe Novels (The Silent Speaker / Might as Well Be Dead / If Death Ever Slept / Three at Wolfe’s Door / Gambit / Please Pass the Guilt / A Family Affair), or try them out one at a time, beginning with 1934’s Fer-de-Lance.

EisnerWhen it comes to the comic book side of me, there’s a veritable stack of tomes that I’d like to unwrap on any one of the eight days of Chanukah. Most recently published as I write this is my old friend Paul Levitz’s Will Eisner: Champion of the Graphic Novel, a biography that focuses on The Spirit creator’s contributions to the birth and popularity of the graphic novel form and his impact on creators like Jules Feiffer, Art Spiegelman, Scott McCloud, Denis Kitchen, Neil Gaiman, and others. And while you’re looking, you might also want to check out Paul’s, 75 Years of DC Comics: The Art of Modern Mythmaking (Taschen America, 2010), a massive 720-page coffee table book (actually, buy some table legs at the hardware and you can make into a coffee table!). Or, if you can’t handle wrestling this 16.9 pound behemoth (let’s talk “weighty tomes,” wot?), Taschen has also broken 75 Years up into several smaller books, including The Golden Age of DC Comics, The Silver Age of DC Comics, and The Bronze Age of DC Comics.

WellsTwoMorrows has been publishing the American Comic Book Chronicles for a couple of years now, breaking down the history of the art form decade by decade. The first I read was John Wells’ two-volume American Comic Book Chronicles: 1960-1964 and American Comic Book Chronicles: 1965-1969, an exhaustive look at my comic book decade. John’s also a pal (he supplied the introduction to my The Unpublished Comic Book Scripts of Paul Kupperberg…a book worth having for John’s fine intro alone!), but he’s also one of the most knowledgeable and readable comic historians working today.

I’d be remiss if I didn’t also point you towards the American Comic Book Chronicles: The 1970s, written by Jason Sacks. Jason knows the comics of the 1970s like the back of his hand and takes us all on an enjoyable look at one of the industry’s most explosive decades.

The_Great_Comic_Book_HeroesBut if its comics history you want, the absolute greatest book on the subject ever published is, in my not so humble opinion, Jules Feiffer’s The Great Comic Book Heroes: The Origins and Early Adventures of the Classic Super-Heroes of the Comic Book (The Dial Press, 1965). It’s almost impossible to overstate the importance of this one 189-page hardcover, which consisted mostly of reprints of 1940s comic book stories surrounded by Feiffer’s brilliant essays on growing up with and entering the nascent field during the 40s, considered among the very first critical analysis of the form. Those reprints (at a time when such stories were never reprinted and the internet was still about thirty years in the future) and Feiffer’s personal creative journey through the four color fields awakened the creative instincts and inspired an entire generation of wannabe creators to pursue comics as a career. Between me and a couple of friends, we had it on almost continuous loan from the Utica Avenue branch of the New York Public Library for about two years until we could afford copies of our own. The Great Comic Book Heroes is long out of print, but I still have my original mid-1960s copy as well as a paperback reprint of just the Feiffer essays published by Fantagraphic Books in 2003.

Read on, people! And Happy Whatever!

Have You Heard the One About…? It’s THE SAME OLD STORY

The following is meant strictly for entertainment purposes…well, entertaining to me anyway. I managed to work a favorite joke into The Same Old Story, my murder mystery set in the world of the comic book industry in 1951 (and available just by clicking here!). Fun fact: The character of Robert Konigsberg was loosely based (though greatly exaggerated) on prolific DC Comics writer Robert Kanigher, one of my favorite real life characters. And no real world comic book creators were harmed in the writing of this story…

51oqzCTobLDeciding that being only half-drunk after receiving the news from Murray was worse than being sober, Guy was desperate for coffee. We stopped at the Automat on 44th Street, feeding enough nickels into the slots for a couple of cups of joe and a matching set of doughnuts.

Guy was lighting a cigarette when Robert Konigsberg sauntered up to the table. Tall and handsome in a rugged Robert Taylor sort of way, Bob had been an editor at National before leaving to write freelance. He was, for all intents and purposes, the top writer at the top company, responsible for a large chunk of their super-hero and romance lines. And he knew exactly where he stood in the pecking order. In a brushed camelhair coat and always freshly blocked Homburg, a bright and natty ascot as a dashing alternative to a tie, Bob was a fashion-plate, a teller of self-aggrandizing tall tales, a playboy, an often surprisingly good and creative writer, and a certified lunatic. There were too many Bob Konigsberg stories to tell, but the least bizarre of his traits included his habit, while writing during his lunch hours while still an editor, of suddenly leaping up on his desk, brandishing an umbrella or cane as a sword and sprouting ersatz Shakespearean dialogue at the top of his lungs, then calmly climbing back down to his seat and resuming his typing. His office mates thought he was eccentric. The headshrinkers at a psychiatric facility in Valley Stream thought he was a danger to himself or others. Twice. Once for sixty days, then again a year later for five months.

He was, by all reports, not currently crazy, making me wonder how crazy you had to be to qualify for certification. I thought the guy was a fruitcake, but at least he was nuts in a way that made him interesting.

“Gentlemen,” he sniffed at us in his bored, affected nasal tone. “What’s the good word?”

“Down here on earth,” said Dooley, ”or up there on Olympus where you reside?”

“Jealousy of his betters aside,” Bob said, directing his question to me, “what’s his problem?”

“Pincus,” said Dooley, “was the best ribbon salesman in New York. You ever hear this one, Bob? About Pincus, the ribbon salesman?”

Bob sighed theatrically. Konigsberg had several talents, but humor wasn’t one of them. The man was incapable of understanding funny in any form other than the dry, smile provoking bon mot, which only he thought was humorous to begin with. Laughter was unknown to that sad, dark heart of his. So Guy liked to tell him jokes, the longer and more drawn out the better.

“He sold to every notions store in the city, he sold to Woolworth’s, B. Altman’s, everywhere. But he could never sell to Macy’s. The ribbon buyer refused to change ribbon suppliers, but Pincus kept badgering him. Finally, one day, the buyer says, ‘Pincus, I’m in a bind. I have a special order for a piece of ribbon exactly two and six-sixteenths inches wide, of the exact red of a perfect sunset, with a texture like a baby’s behind, and as long as from the tip of your nose to the tip of your penis. I need it tomorrow by noon. Find it for me and from now on, I’ll buy all my ribbon from you.’ Pincus agrees to the terms and off he goes.”

Bob tapped his foot on the Automat’s scarred linoleum, waiting with undisguised impatience.

“The next day, at exactly noon, the phone in the buyer’s office rings and it’s Pincus. ‘I got your ribbon,’ he says. ‘Meet me outside.’ So outside the buyer goes and there’s Pincus. . .with ten enormous trucks full of ribbon! ‘Pincus,’ the buyer says, ‘the width is perfect, the color is absolutely dead on, the texture so soft you could cry. But, Pincus, I said I wanted a piece only as long as from the tip of your nose to the tip of your penis!’

“’So?’ says Pincus. ‘The tip of my penis is back in Poland!’”

I laughed. Bob didn’t.

“You were saying?” Bob prompted me, as though Guy hadn’t spoken.

“Worldwide Distribution’s gone down the tubes and they’re taking Blue Chip and Feature, that we know of, with them,” I said.

Bob blinked. He stepped back. “When,” he said, “when did this happen?”

“Today. This afternoon,” I said. “You okay, Bob?”

I don’t think he heard me, just nodded out of reflex.

“Don’t set sail for Cloud Cuckoo-land on us now, Bob,” Guy said. “Remember, the guys you work for have their own distribution company. They’re the only ones don’t have to worry.”

“Were you writing for either of them?” I knew Konigsberg drew a nice salary writing exclusively for National, but I’d also heard the rumors that he wrote secretly, under a variety of pseudonyms, for other publishers.

“Hmm?” Bob shook his head and focused his gaze on me once again. He managed a smile, but it never quite reached his eyes. “Actually, between you, me, and the lamppost,” he said, nodding in Guy’s direction, “I did provide some unsigned material on the side for some of their adventure and romance titles. Adventures Beneath the Earth, My Strangest Journey, Young and in Love, First Dates and so forth.” He waved his hand. “Strictly for income my wife was unaware of, a little extra cash to keep a certain someone in the style to which I’ve made her accustomed.”

Guy drained his coffee and rose to go after a refill. “Oh, Bob, you dog,” he said, deadpan, and left.

Bob shot his cuff and checked his wristwatch, making sure I got a gander at the gold band and jeweled face. “Well,” he said. “Speaking of which, I’d best be off. Don’t want to keep the lady waiting.”

I didn’t ask if he meant his wife or his girlfriend. I just said good-bye and returned to my doughnut.

Knowing that guys like Konigsberg would sail right through the current troubles with little more than an interruption in the quality of their adultery made me feel even worse for guys like me and Dooley. His kids could go hungry, I might have to live off my widowed mother or get a real job. . .but Bob Konigsberg might not be able to pay the rent on his floozy’s apartment.

At the moment, I couldn’t imagine a reason I could ever feel sorry for either Konigsberg or his floozy.

That would change soon enough.

© Paul Kupperberg

You’re invited to get In My Shorts

In My ShortsI’ll try and keep this short.

“Brevity,” as someone once said, “is the soul of wit.” But brevity takes times. As someone else said, “I have made this longer than usual because I have not had time to make it shorter.” And still someone else said, “The only kind of writing is rewriting.”

Which brings us to that venerated literary form, the short story. Some of the best writers in their respective languages and genres have labored in this form. I have too, on and off, over the last twenty years or so of my career. Many of the short stories I’ve been asked to write have been about licensed characters (Batman, Doctor Who, The Lone Ranger, The Green Hornet, etc.), with some originals thrown in along the way.

It’s only in the last few years that I really started to pay more serious attention to the short story, although the short stories I was writing were getting, paradoxically, longer and longer. Five thousand words to seven or eight thousand to twelve or thirteen thousand words…granted, some of the stories were part of shared universes (Latchkeys, ReDeus, Pangaea, all published by Crazy 8 Press), but even my own Leo Persky stories (appearing in R. Allen Leider’s Hellfire Lounge anthologies, published by Bold Venture Press) were getting longer, although a lot of that was due to how much fun I was having writing Leo’s (i.e. my) snarky observations on the world.

PK-Shorts-TanghalBut several years back, I submitted a piece to an anthology of flash fiction (five hundred words or less). It didn’t make the final cut, but it did get me thinking about keeping it short, say, under two thousand words. I got to fool around with that in a couple of fifteen hundred word stories for a still-to-be-realized Charlton Neo project and several stories I wrote based on sculptures made by my grandmother in the 1970s. In the first of those Charlton Neo stories, I probably wrote about three thousand words before I finally got to the start of the fifteen hundred words that I ended up using; it was a case of both having the time to make it shorter and finding the story in the rewriting, as well as a reminder of a vital dramaturgical dictum: Always enter the action as late as possible.

In My Shorts: Hitler’s Bellhop and Other Stories is a collection of sixteen of my short stories of various lengths, from the first original I ever sold to the latest piece I wrote, finished a couple of weeks before the book went to press.

Order now from Amazon!

And that’s the long and the short of it.

 

It’s All About Character

Pangaea Cover V2 (Large)I have really grown to love worldbuilding. It really started as I read DC Comics and thrilled to the notion of parallel worlds and over at Marvel, they were constructing a shared universe that allowed new and interesting things to happen on a regular basis. As I began working in comics, it’s ironic that my first assignment was to help destroy worlds in Crisis on Infinite Earths.

Since then, I have contributed to the rebuilding of the DC Universe and have since contributed to the growing Star Trek literary universe and other media tie-in works. It, of course, led to Mike Friedman, Peter David, and I building a millennia-spanning history for the After Earth universe.

All of that has stood me well for when I helped create an original shared universe in Crazy 8 Press’ ReDeus. That’s a place that is still growing and evolving as you will see in coming months.

In the meantime, it’s been interesting to toil in someone else’s original shared universe. Mike had an idea and fanned it into the flame that we now know as Pangaea. He crafted a bible that gave us the broadest strokes of the world, ostensibly to free us to explore and have some fun.

When I sat down to write my contribution to the anthology, I thought it would be fairly easy. It’s Earth after all. As I transitioned from an outline to a story, I discovered that it may be called Earth but it was not the one I lived in. Governments and borders were different, technology was unlike the world of 2014, and the values and beliefs of the people were forged in vastly different ways.

Human nature, though, that remains unchanged.

When you boil it down, this is a story about a boy and a girl and the world they live in. Once I realized that, I could exhale and focus on their relationship. As I got into that, the rest of the world began to take focus, some of the bible’s elements allowed me to sharpen characterization and reflect a similar but not exact replica of Earth.

As always, it comes down to character.